Omar Bennett
The question of whether *Star Wars: The Rise of Skywalker* (2019) is political has sparked considerable debate among fans and critics alike. As the final installment of the Skywalker Saga, the film navigates themes of power, resistance, and identity, which inherently carry political undertones. Its portrayal of the First Order, a fascist regime, and the Resistance’s fight for freedom echoes real-world political struggles, while its exploration of legacy and redemption invites interpretations tied to broader societal and ideological debates. Additionally, the film’s handling of diverse characters and its attempt to conclude a decades-long narrative have led some to scrutinize its political messaging, whether intentional or implicit, making it a subject of ongoing discussion in the intersection of pop culture and politics.
| Characteristics | Values |
|---|---|
| Themes of Division | The film explores themes of societal division and the struggle for unity. |
| Resistance vs. First Order | Represents a political struggle between democracy and authoritarianism. |
| Class Struggle | Depicts the plight of the downtrodden (e.g., the poor and enslaved). |
| Environmental Concerns | Highlights destruction of planets, mirroring real-world environmental issues. |
| Gender and Representation | Features strong female characters and diverse casting. |
| Colonialism Allegories | The First Order's conquest mirrors historical colonialist practices. |
| Redemption Arc | Ben Solo's redemption reflects political themes of forgiveness and change. |
| Criticism of Fan Service | Accused of prioritizing fan appeasement over coherent political messaging. |
| Corporate Influence | Disney's influence seen as diluting potential political depth. |
| Polarizing Reception | Divides audiences over its handling of political and social themes. |
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What You'll Learn
Kylo Ren’s Redemption Arc
Kylo Ren's redemption arc in *The Rise of Skywalker* is a pivotal narrative thread that invites scrutiny through a political lens. His transformation from a conflicted villain to a redeemed hero mirrors broader societal debates about accountability, forgiveness, and the possibility of change. By examining this arc, we can explore how the film navigates themes of power, identity, and moral redemption, which resonate with real-world political discourse.
Consider the steps of Kylo Ren's redemption: his initial rejection of the First Order, his internal struggle between light and dark, and his ultimate sacrifice to save Rey. These stages reflect a classic hero’s journey but also echo political narratives of reform and rehabilitation. For instance, Kylo’s decision to abandon his identity as Ben Solo’s dark alter ego parallels the political act of renouncing harmful ideologies. However, the arc’s rushed execution raises questions about the authenticity of such transformations. In politics, as in storytelling, redemption requires more than symbolic gestures—it demands consistent action and genuine accountability.
A comparative analysis highlights the contrast between Kylo’s redemption and that of Anakin Skywalker in *Return of the Jedi*. Anakin’s redemption is earned through prolonged suffering and a clear rejection of his past actions, whereas Kylo’s feels expedited, almost convenient. This difference underscores a political critique: *The Rise of Skywalker* seems to prioritize narrative resolution over the complexities of moral rehabilitation. In real-world politics, leaders and movements often face scrutiny for superficial changes that fail to address systemic issues. Kylo’s arc, while emotionally satisfying, risks perpetuating the idea that redemption can be achieved without rigorous self-examination or amends.
To apply this critique constructively, consider the following practical takeaway: storytelling, like politics, must balance hope with honesty. For those crafting narratives or advocating for change, ensure that redemption arcs—whether fictional or real—are grounded in tangible actions and accountability. For example, if a character or public figure seeks redemption, their journey should include acknowledgment of harm, efforts to repair damage, and a commitment to preventing future wrongdoing. This approach not only strengthens the narrative but also models a healthier political discourse.
Ultimately, Kylo Ren’s redemption arc serves as a cautionary tale about the pitfalls of rushed or superficial resolutions. While it offers a satisfying conclusion to his character, it falls short as a political metaphor for meaningful change. By dissecting this arc, we can better understand the importance of authenticity and effort in both storytelling and real-world reform. Whether in fiction or politics, true redemption requires more than a change of heart—it demands a change of action.
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Rey’s Heritage Debate
The revelation of Rey's heritage in *The Rise of Skywalker* ignited a firestorm of debate among fans, critics, and cultural observers. At the heart of the controversy was the decision to make Rey a Palpatine, a twist that some viewed as a betrayal of her character’s self-made arc. This choice became a flashpoint for discussions about identity, legacy, and the politics of representation in the *Star Wars* universe. By examining the Rey’s heritage debate, we can uncover how the film’s narrative decisions intersected with broader societal conversations about power, lineage, and the individual’s place within a larger system.
Consider the analytical perspective: Rey’s initial portrayal as a nobody—a scavenger with no notable lineage—was celebrated as a refreshing departure from the Skywalker-centric saga. Her journey from obscurity to heroism resonated with audiences who saw her as a symbol of empowerment, unburdened by the weight of familial expectations. However, *The Rise of Skywalker*’s retconning of her heritage as a Palpatine felt to many like a reversion to the franchise’s reliance on bloodlines. This shift was criticized for undermining the idea that anyone, regardless of birthright, could become a hero. The debate highlights a tension between the democratization of heroism and the allure of grandiose, lineage-driven narratives, reflecting broader cultural anxieties about meritocracy versus inherited privilege.
From an instructive standpoint, the Rey’s heritage debate offers a lesson in narrative consistency and audience expectations. For filmmakers and storytellers, the backlash underscores the importance of aligning character arcs with the themes and values established earlier in a series. Rey’s identity as a nobody was not just a plot point but a thematic cornerstone of *The Last Jedi*, which challenged the notion that greatness is tied to lineage. *The Rise of Skywalker*’s reversal felt to many like a rejection of this progressive message, serving as a cautionary tale about the risks of retconning core character elements to serve plot convenience. To avoid similar pitfalls, creators should prioritize thematic coherence over shock value, ensuring that character developments resonate with the story’s foundational principles.
Persuasively, one could argue that Rey’s Palpatine heritage was an attempt to deepen the saga’s mythology, but its execution fell short. By tying her to the franchise’s most iconic villain, the film aimed to elevate her stakes and create a dramatic climax. However, this move inadvertently reinforced the idea that evil is inherent and tied to blood, a trope that feels outdated in contemporary storytelling. A more compelling approach might have been to lean into her status as a nobody, positioning her as a true counterpoint to the legacy-obsessed villains. This would have aligned with modern audiences’ desire for heroes who rise through resilience and choice rather than destiny, offering a more politically resonant message about the power of the individual to shape their own path.
Comparatively, the Rey’s heritage debate mirrors broader political discussions about identity and belonging. Just as Rey’s lineage became a battleground for competing visions of the *Star Wars* saga, debates about immigration, class, and privilege often center on who is deemed worthy of power and recognition. The film’s handling of her heritage reflects a conservative impulse to tie heroism to established hierarchies, while the backlash represents a progressive push for more inclusive and egalitarian narratives. By examining this debate, we can see how storytelling choices in *The Rise of Skywalker* inadvertently became a microcosm of larger societal tensions, demonstrating the inescapable political dimensions of even the most fantastical tales.
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First Order vs. Resistance
The conflict between the First Order and the Resistance in *Star Wars: The Rise of Skywalker* is a microcosm of broader political struggles, often mirroring real-world tensions between authoritarian regimes and democratic resistance movements. The First Order, with its militaristic hierarchy, rigid ideology, and reliance on fear, embodies the rise of fascism, while the Resistance represents the scrappy, diverse coalition fighting for freedom and equality. This dynamic is not subtle; it’s a deliberate narrative choice that invites audiences to draw parallels to contemporary political climates.
To analyze this further, consider the First Order’s tactics: mass surveillance, propaganda, and the systematic erasure of dissent. These are hallmarks of oppressive regimes throughout history, from Nazi Germany to modern-day authoritarian states. The Resistance, on the other hand, operates with limited resources, relying on grassroots support and moral conviction. Their diversity—in species, backgrounds, and ideologies—is a strength, but it also highlights the fragility of unity in the face of overwhelming force. This contrast is not just a plot device; it’s a commentary on the challenges of maintaining democracy in an era of rising authoritarianism.
If you’re looking to understand this dynamic in practical terms, examine the leadership styles of Kylo Ren and Leia Organa. Kylo’s rule is marked by emotional instability and brute force, reflecting the unpredictability of authoritarian leaders. Leia, meanwhile, leads through empathy, inclusivity, and strategic resilience. Her ability to inspire loyalty despite adversity is a lesson in effective resistance leadership. For those studying political movements, this duality offers a clear case study in the differences between fear-based and values-based governance.
A cautionary note: while the First Order vs. Resistance narrative is compelling, it risks oversimplifying complex political realities. The film’s portrayal of the Resistance as universally "good" and the First Order as irredeemably "evil" can obscure the nuances of real-world conflicts. For instance, resistance movements are not always morally pure, and authoritarian regimes often exploit legitimate grievances to gain power. Viewers should approach this narrative critically, recognizing its allegorical value while avoiding reductive interpretations.
In conclusion, the First Order vs. Resistance conflict in *The Rise of Skywalker* is a powerful political allegory, but its effectiveness depends on how audiences engage with it. By examining its themes through historical and contemporary lenses, viewers can gain insights into the mechanics of oppression and resistance. However, it’s essential to balance appreciation for the narrative with an awareness of its limitations, ensuring that the allegory enriches rather than oversimplifies our understanding of real-world politics.
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Themes of Power & Control
The Rise of Skywalker, the final installment in the Star Wars sequel trilogy, presents a complex web of power dynamics and control mechanisms that mirror real-world political struggles. At its core, the film explores how individuals and factions seek to dominate others through force, manipulation, and ideological supremacy. The First Order, led by Supreme Leader Kylo Ren, embodies authoritarianism, employing militaristic might and fear to subjugate galaxies. In contrast, the Resistance, though fragmented, champions democracy and freedom, albeit with limited resources and waning support. This dichotomy highlights the perennial tension between oppression and liberation, a theme that resonates deeply in contemporary political discourse.
Consider the character of Emperor Palpatine, whose return symbolizes the persistence of authoritarian regimes despite apparent defeat. His manipulation of Kylo Ren and the First Order underscores the insidious nature of power: it often operates through puppet masters who control from the shadows. Palpatine’s strategy involves exploiting fear and division, a tactic eerily familiar in modern politics. For instance, his declaration of a new Sith order, backed by a fleet of planet-destroying ships, mirrors how leaders use threats of annihilation to consolidate control. To counter such tactics, the Resistance relies on unity and grassroots mobilization, a lesson for real-world movements: collective action is the antidote to centralized tyranny.
The film also critiques the allure of power and its corrupting influence, particularly through Kylo Ren’s arc. His internal struggle between the light and dark sides reflects the moral dilemmas faced by those in positions of authority. Ren’s eventual redemption suggests that breaking free from oppressive systems requires personal transformation, not just external resistance. This narrative thread encourages viewers to examine their own complicity in power structures and the potential for change within themselves. For activists and leaders, this serves as a reminder: true control is not over others, but over one’s own impulses and ideologies.
A practical takeaway from the film’s portrayal of power is the importance of decentralized leadership. The Resistance’s success hinges on its ability to adapt and operate without a single figurehead, a model applicable to political organizations today. By distributing authority and fostering collaboration, groups can withstand the loss of key members and resist co-optation by authoritarian forces. For example, implementing rotating leadership roles or consensus-based decision-making can mitigate the risks of power concentration. The Rise of Skywalker inadvertently offers a blueprint for sustainable resistance movements in an era of increasing authoritarianism.
Finally, the film’s emphasis on the spiritual and emotional dimensions of power adds a layer of depth often overlooked in political analysis. The Force, as a metaphor for the balance between control and surrender, suggests that true power lies in harmony rather than domination. This perspective challenges the zero-sum mindset prevalent in politics, where one group’s gain is perceived as another’s loss. By integrating mindfulness and empathy into strategies for change, activists can avoid replicating the oppressive tactics they seek to dismantle. The Rise of Skywalker, in its exploration of power and control, ultimately advocates for a more nuanced and humane approach to political struggle.
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Representation & Diversity
The final installment of the Skywalker Saga, *Star Wars: The Rise of Skywalker*, faced scrutiny for its handling of representation and diversity, a reflection of broader cultural expectations for media in the late 2010s. While the film introduced characters like Jannah, a former stormtrooper played by Naomi Ackie, and continued the arc of Kelly Marie Tran’s Rose Tico, their roles were criticized for being underdeveloped or marginalized. Jannah’s backstory, which hinted at a larger narrative involving oppressed communities, was left unexplored, reducing her to a minor supporting character. Similarly, Rose, a prominent figure in *The Last Jedi*, was sidelined with minimal screen time, a move many attributed to the filmmakers’ reluctance to address backlash from toxic fandoms. These choices underscored a missed opportunity to deepen the franchise’s commitment to diverse storytelling.
To effectively integrate representation, creators must avoid tokenism by ensuring characters serve a narrative purpose beyond their identity. For instance, Finn, played by John Boyega, began as a groundbreaking character—a Black stormtrooper with agency—but his arc in *The Rise of Skywalker* lacked the political or emotional depth fans had hoped for. Instead of exploring his potential as a leader of a stormtrooper rebellion, the film relegated him to comedic relief and a sidekick role. This treatment highlights a common pitfall: introducing diversity without meaningful development can feel superficial. Filmmakers should prioritize character arcs that intersect with the story’s themes, allowing diverse characters to drive the narrative rather than merely inhabit it.
A comparative analysis reveals how other franchises have succeeded where *The Rise of Skywalker* faltered. *Black Panther*, for example, centered its narrative on a predominantly Black cast, weaving themes of identity, colonialism, and responsibility into its plot. Similarly, *The Last Jedi* took risks by challenging traditional *Star Wars* tropes and elevating characters like Rose and Holdo, though it faced backlash for its progressive choices. *The Rise of Skywalker*, in contrast, appeared to retreat from these bold moves, prioritizing fan service over innovation. This comparison suggests that true diversity requires not just casting but a willingness to embrace complex, politically charged narratives.
Practical steps for improving representation in blockbuster films include early involvement of diverse writers and consultants to shape character arcs and themes. For instance, Jannah’s story could have been expanded to explore the plight of child soldiers or the resistance against oppressive regimes, adding depth to her character and resonating with real-world struggles. Similarly, Rose’s role could have been restored to highlight the importance of everyday heroes in large-scale conflicts. By grounding diverse characters in meaningful narratives, filmmakers can avoid the pitfalls of tokenism and create stories that resonate across audiences.
Ultimately, *The Rise of Skywalker*’s handling of representation and diversity serves as a cautionary tale. While the film made strides in casting, its failure to fully integrate these characters into the narrative left many feeling underserved. As media continues to evolve, the lesson is clear: diversity must be more than a checkbox—it must be a cornerstone of storytelling, woven into the fabric of the plot, themes, and character development. Only then can films like *The Rise of Skywalker* truly fulfill their potential as cultural touchstones.
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Frequently asked questions
While not overtly political, *The Rise of Skywalker* touched on themes like resistance against oppressive regimes and the struggle for freedom, which some viewers interpreted as political allegories.
The film did not directly address real-world political issues but explored universal themes like unity, hope, and the fight against tyranny, which can resonate with contemporary political discourse.
There were no major controversies specifically labeling the film as political, though some fans debated its handling of themes and character arcs, which indirectly tied to broader cultural and societal discussions.
